Qing Guo(郭晴)

Qing Guo is an interdisciplinary artist who combines video, photography, publications, performance, and installations in her work. 
Her art is deeply influenced by her personal experiences, social and political contexts, and cultural memories. 
Qing Guo often explores themes such as identity, social change, and cultural conflict. 
By using various media together, she creates rich and thought-provoking visual stories.


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Qing Guo's Artwork             The Family                                6.2024  →  8.2024


This project is based on my family's experiences: complex relationships, the clash between freedom and responsibility, and traditional family constraints.

 I reconstruct a gentle, bright, and conflicted world to explore self-identity and intergenerational relationships.

I chose to use a washing machine as a medium.

Clothes from different family members are quickly agitated in the washing machine, mixing colours, blending, and tangling. The washing machine “agitates” us, prompting us to break and mix, forming knots that are difficult to separate.

It's like a family relationship.

I chose brightly coloured clothes and cut them to retain their features. Using red lines as a bloodline to fill in the gaps between different clothes

Clothes escape from the small space, seemingly free but still connected. This symbolism reveals how I feel about my family's love - a complex love that's often tinged with pain.


Qing Guo's Artwork             The Family                                5.2024  →  7.2024


Qing Guo's Artwork             P(07)IG             Collaborative work  with Han Zhou             3.2024  →  4.2024
Qing Guo's Artwork             P(07)IG             Collaborative work  with Han Zhou             3.2024  →  4.2024


For the P(07)IG project, I was responsible for graphic production and 3D modelling of the organ pig, pig statue, and operating room scenes.  The initial inspiration for this project came from my reflections on news about pig heart transplants.  

We are proud of our role as creators because we decide whether most animals live or die. As technology advances, using animal organs for transplants is emerging as a solution to the shortage of human organs. This raises ethical questions about technology and animal welfare. What does it mean to be human? How do we see animals? As food, tools, or resources?

We've created a dystopian world called P(07)IG. 

Our alternative history imagines that 1968 pig heart transplants were successful and led to an increase in the popularity of pig organ transplants in the latter decades of the 20th century. In this world, raising pigs for their organs became common, moving away from sterile environments. People genetically modify and raise pigs specifically for their organs, resulting in mass production and slaughter of these organ pigs.

In our constructed world, factors like human nature, ecology, ethics, and technology caused xenotransplantation to go awry, evolving into a dystopian, authoritarian, and inhumane society. By exaggerating and distorting social realities, we explore the dark side of xenotransplantation, its potential dangers, and underlying societal issues.



Qing Guo's Artwork             P(07)IG             Collaborative work  with Han Zhou             3.2024  →  4.2024

P(07)IG Medical Centre—Established in 1968, pig07 medical centre is known for the first successful pig heart transplant performed by its doctor, Norman Shumway.




Qing Guo's Artwork             P(07)IG             Collaborative work  with Han Zhou             3.2024  →  4.2024